Source Audio SA247 True Spring Reverb Pedal Sale

Description
The Source Audio True Spring Reverb pedal packs some of the most realistic spring reverb tones you ll find in a pedal. And if that isn t magical enough for you, it also boasts three vibrant tremolo effects. From short ambient bursts to splashy tank-style surf reverb, the True Spring Reverb pedal delivers definitive spring sound, and you can tweak the spring tone to an astonishing degree with the free Neuro Editor software. Once you ve created your custom tones, you can save up to three presets on the pedal for instant recall. If you ve thought that you ll never be able to get a true spring reverb sound out of an effects pedal, then you need to try the Source Audio True Spring Reverb.
The True Spring Reverb pedal s three spring modes — Short, Long, and Tank — cover a lot of sonic territory. The Short setting offers a taut sound with a quick decay and smooth trails, inspired by 60s Blackface amps. The Long mode produces long and deep reverb decays with noticeable drip and highly animated trails. Finally, Tank mode is based on the sound of classic tube-driven reverb units, characterized by their drippy attack and animated trail. We ve heard a lot of spring reverb pedals here at Redone, and the True Spring Reverb is one of the most accurate emulations we ve ever experienced.
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Opto Tremolo: Optical tremolo (a.k.a. “Photocell Tremolo”) is the effect found in many combo amps of the 1960s. This version of tremolo relies upon a neon light bulb and a light dependent resistor called an optocoupler. The non-symmetrical aspects of the light and the optocoupler give the tremolo a distinct choppy character.
- Harmonic Tremolo: This unique effect first appeared in Fender™ “brownface” amps made between 1959 and 1963, which alternately modulated the levels of bass and treble frequencies in the audio signal. The result is a very pleasing and complex tremolo that has characteristics reminiscent of a phaser.
- Bias Tremolo: This approach to tremolo involves using an LFO to modulate the bias voltage of the tubes in an amplifier. This essentially pushes the tubes in and out of saturation. The result is a smooth amplitude modulation with a mild overdrive created by the tube saturation